2 jazz filled evenings featuring SG-Finnish collaboration in music, for thought leaders, politicians, and market leaders from Finland, Singapore and around the world.
9 day Soul Blues Rock Jazz & Originals! Music Tour in Krefeld, Werdohl, Dinslaken, Kleve, Neuss, Oberhausen, Haan, Ibbenbüren, Kempen, with a “cult” fan following with top band of Germany, led by “Sting of Germany” – Martin Engelien, C.V. platinum selling Klaus Lager Band. Soul Blues Rock Jazz & Originals!
Michelle SgP represents Singapore in a showcase of SIngapore’s urban arts and culture scene in France.
With a special acoustic concert, the Christuskirche Wesel -Flüren starts the new year of the concert: On Saturday, January 26, at 6 pm, Michelle SGP from Singapore will be guest.
Multiplicity lands in Phuket Thailand, with JamRoXXX comprising top musicians from the island, in a night of Originals, Blues, Soul, Rock Fusion Charity Show. Set in the authentic, artistic Underwood Art Factory!
Multiplicity lands in Vietnam, as Michelle collaborates with musicians based in Vietnam, along with long-time collaborator, Benson Kong. Come hang with us!
Michelle makes her debut at the 13th Philippine International Jazz and Arts Festival, in conjunction with Unesco’s World Jazz Day 2018.
Guesting with USA Billboard No.1 Artiste Adam Hawley on his tour in Singapore.
Michelle launches her much awaited album recorded around the world – USA, Europe, Australia featuring various genres, collaborations, and a storyline. Ticketed. Esplanade Recital Studio.
Chill out with Michelle on voice and piano; and on Fridays together with Dylan Foster on electro looping
Saturday Teatime with Michelle, as she performs piano ballads and reinterpretations in this intimate room
Come catch Michelle SgP at the outdoor stage at the festival!
Its Olympic season. Come join us for a night of songs themed with the Olympics – Celebrate SG’s historic breakthrough with songs relating to the journey of perseverance, sacrifice, love, devotion, and celebration of the human spirit.
Singing is a craft. As with crafts, its a lifelong journey. One which is up to the voyager to decide the level of perfection desired, as it varies from person to person.
The percentage of real tone-deafness appears to be low, something in the region of 5% to 12%. My coaching experience has shown that most, 9.5 out of 10 cases of students who checked in with ‘tone deafness’, actually learned to listen better, and pitch more accurately once they have a better grasp of their voice and learn to connect with their inner musical ear. Though it varies from individuals – some adjust quickly, some may need more time.
Every individual is different and born with varying sets of attention, vocal facility, confidence, and flair. There are gifted students who start at 4 years old. Though the 6 to 7 year old range is a more common age to kickstart singing sessions.
Most sessions start off with vocal technique grounding as a springboard for application to songs. The more elementary a singer, the more technique grounding there usually is. But then again, this mix varies, it depends on the character and learning tendencies of the student.
Face-to-Face, and Online. A practice and application based approach is usually taken.
Online coaching and face-to-face sessions each possess their own merits. There are students who prefer online learning to physical learning, given that today there are more online tools available since the pandemic narrowed the learning gap between the two.
Yes they are
There is no one specific method prescribed, but more an observation with what works with the individual. Having coached various genres, languages, singing objectives, it appears that certain methods fit certain individuals better. Therefore we do not generalize as each training method also has its merits and demerits. Authenticity and flow is key.
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